Rajkummar Rao-Kriti Sanon Signed Comedy Film Before The Script Was Finalised: At the time it is difficult to live with your parents, but quite tough to live without them. That’s why Dinesh Vijan’s next project is following the statement. The situational comedy movie is yet untitled. Rajkummar Rao, who, like his lady love is an orphan, decides to adopt parents. He decides to bring an old couple to the home and they almost end up destroying their life and marriage. The film features The Award-winning duo of Paresh Rawal and Dimple Kapadia.
“This innovative idea also came from real life though it is not inspired by any incident in particular. We have spun it into a crazy comedy with our unique tadka. That project (the one he was discussing with Raj and Kriti) wasn’t working out, so, one day, over a cup of coffee, I sketched out this idea to them and they jumped at it. Raj and Kriti came on board even before the script were written,” producer Dinesh told. “You saw it in Stree, you will see it in our upcoming horror comedy, Roohi Afzana, and in this one as well. Kriti also had you laughing in Bareilly Ki Barfi, Luka Chuppi and Housefull 4,” Dinesh said about Rajkummar. The film’s shooting is set to start in Delhi in mid-March. It seems to take a year to release.
Meanwhile, Rajkummar is all set for his another release – Hansal Mehta’s Chhalaang where he is playing a PT teacher and shares the screen with Nushrat Bharucha. It is the fifth collaboration of director Hansal and Rajkummar after the two presented such notable films as Shahid, Citylights, Aligarh, and Omerta.
Rajkummar has also been completed the shoot for Roohi Afza where he is collaborating with Janhvi Kapoor and, working on Suraj Pe Mangal Bhari where he has been seen with Fatima Sana Shaikh. He also has Anurag Basu’s Ludo in the pipeline where he will be sharing the screen with Abhishek Bachchan, Rajkummar Rao, Sanya Malhotra, and Fatima Sana Sheikh, along with Aditya Roy Kapur, Pankaj Tripathi, Rohit Saraf, and Asha Negi. The film is set to unveil on April 24.
